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"What's that?" asked Mona. "Don't speak of your mother as if she were a chromatic scale.",

"Fancy a turkey ghost," says Mona. "How ugly it would be. It would have all its feathers off, of course.",

When they grew to be twelve or fifteen years old they began to do better, for now they could do more and more for themselves. They herded horses and performed small services for the wealthy men; then, too, they hunted and killed a little meat. Now, for their work, three or four dogs were given them, so with the two the old woman owned, they were able to pack their small lodge and other possessions when the camp moved, instead of carrying everything on their backs.,

But first she turns and casts a last lingering glance upon the sloping hill down which her sweetheart, filled with angry thoughts, had gone. And as she so stands, with her hand to her forehead, after a little while a slow smile of conscious power comes to her lips and tarries round them, as though fond of its resting-place.

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Before the man went away his father-in-law spoke to him and said, "When you get near home you must not go at once into the camp. Let some of your relations know that you have come, and ask them to build a sweat-house for you. Go into that sweat-house and wash your body thoroughly, leaving no part of it, however small, uncleansed. If you fail in this, you will die. There is something about the ghosts that it is difficult to remove. It can only be removed by a thorough sweat. Take care now that you do what I tell you. Do not whip your wife, nor strike her with a knife, nor hit her with fire. If you do, she will vanish before your eyes and return here.",

It is a drooping blackberry-leaf from a bush near where she is standing, that has turned from green into a warm and vivid crimson. She examines it minutely, as though lost in wonder at its excessive beauty, for beautiful exceedingly it is, clothed in the rich cloak that Autumn's generosity has flung upon it; yet I think, she for once is blind to its charms.,

At last, one day, Old Man decided that he would make a woman and a child, and he modelled some clay in human shape, and after he had made these shapes and put them on the ground, he said to the clay, "You shall be people." He spread his robe over the clay figures and went away. The next morning he went back to the place and lifted up the robe, and saw that the clay shapes had changed a little. When he looked at them the next morning, they had changed still more; and when on the fourth day he went to the place and took off the covering, he said to the images, "Stand up and walk," and they did so. They walked down to the river with him who had made them, and he told them his name.,

"What a day we're avin'," says Mr. Darling, disdaining to notice this puerile remark. "It's been pouring since early dawn. I feel right down cheap,—very nearly as depressed as when last night Nicholas stuck me down to dance with the Æsthetic."